![]() ![]() In Hummel though the purpose of the semiquaver figure is to "decorate a chromatic sequence" whereas in Chopin the figure "embodies a motivic structure that permeates the entire composition" and reaches a "dramatic apotheosis" in the Coda. ![]() 85 in A minor (bars 434 -436)Ĭhopin scholar Simon Finlow observes that a very similar passage occurs a decade before Chopin in the rondo of Johann Nepomuk Hummel's Piano Concerto No. 2, Op. 85. Excerpt from the Rondo of Johann Nepomuk Hummel's Piano Concerto No.
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